Pan the original part to one side, add a delay (between 5 and 15 ms is a good place to start), and pan the. The most common Haas effect technique is to create a copy of the audio you want to widen, pan each copy to the stereo field extremes (L and R) and apply a small delay to one side. When time delay is introduced into the difference channel (as shown below. Using a standard pingpong delay is also helpful for width, but pretty different from the HAAS effect. Doubling guitars is another nice way to add depth. The HAAS effect will widen the stereo of the audio by delaying the left or the right channel slightly. In a nutshell: when one sound is followed by another with a delay time of approximately 40 ms or less the two sounds are perceived as a single sound. There are four basic stereo enhancement algorithms commonly found in the. You could play with different settings from here on. Pan the source hard L or R, send it to a delay with max 50ms and no feedback and pan this hard in the opposite direction. Thanks for any info, i often lack width in my tracks so feel this would help!There are a couple of ways to use delays to achieve width. Don’t match it to your beat, because the best slap effects come from having the delays slightly offset from your beat.
For a widening effect, you can try using 64 ms on your left and 124 ms on your right.
Simple delay widen pro#
The example i saw was using a*cooper time cube (UAD) so i was wondering if its possible with just stock logic or something. Pro tip: Use slap delay with a minimum of 64 millisecond delay. Its incredibly simple to use and perfect for. Using the simple delay in Ableton to widen your track my splitting the time just a little is the greatest technique Ive come across.
Ive been watching some producer masterclasses on youtube and often then are using delays on very short settings to get stereo width.Ĭan someone explain how this works since they arent getting an obvious effect, is it like feedback on zero and wet on 100%? just so it becomes panned right to the sides?Īlso how would this technique work with panning on individual tracks, can you pan something thats got width from a delay? and can you get different amounts on pan with the delay? It uses a special recipe of pitch shifting, and delay that varies over time, to create rich stereo width.